Kjell Espmark
Author photo, from the Swedish Academy's
biography page, by Ulla Montan.
Shearsman Titles
Bela Bartók Against the Third Reich
About the author
Kjell Espmark was born in 1930 in Strömsund, Sweden. He is a writer and literary historian, and is Emeritus Professor of the History of Literature at Stockholm University. He was elected to the Swedish Academy in 1981.
While still a student at Stockholm University College Espmark made his debut with Mordet på Benjamin (The murder of Benjamin, 1956). A second volume, Världen genom kameraögat (The world through the eye of the camera) followed in 1958, and a third in 1961, Mikrokosmos (Microcosm). He spent most of the 1960s in literary research, concentrating above all on his forerunners, Artur Lundkvist and Harry Martinsson.
Espmark's work took wing in the 1970s, firstly with the the trilogy Sent
i Sverige (Late in Sweden).
The three volumes are symmetrically arranged, with 25 poems each, and the titles
that follow, Samtal under jorden (Conversations underground, 1972)
and Det obevekliga paradiset (Implacable paradise, 1975), suggest
links to Dante's Divine Comedy.
What Kjell Espmark was doing at this time in his poetry was thus a kind of
"soul translation" – and this became for a time the direction
his literary-historical writing took. He published a couple of important volumes
which in a natural way led to the professorship at Stockholm University in
1978: Att översätta
själen (Translating the soul, 1975) and Själen i bild (Image
of the soul, 1977). This "materialisation of the state of the soul" – how
the "inner" becomes the "outer" – is
followed in the former book through international lyrical modernism (including
Baudelaire, Mallarmé, Rimbaud, Eliot and Breton), in the latter through
Swedish (including Ekelund, Lagerkvist, Södergran, Ekelöf, Thoursie
and Tranströmer): "The will to materialise what is internal is all-pervading
in turn-of-the-century symbolism, the avant-gardism of the 1910s and surrealism."
Shortly after Espmark had received his professorship he began work on a new
lyric trilogy. The perspective had now widened, and in Försök
till liv (Attempt at life, 1979), Tecken till Europa (Intimations
to Europe, 1982) and Den hemliga måltiden (The secret meal,
1984) – once
again symmetrically conceived (12 fairly extensive poems per volume) – it
is Europe and successively the world as a whole that stand at the centre.
In the late 1980s and 19902, Espmark write a number of novels, but also
found time to publich two verse collections: När
vägen
vänder (When the road turns, 1992) and
Det andra livet (The other life, 1998).
[The above is adapted from the official biography at the Swedish Academy, by Jan Arnald, and translated into Emglish by Tim Crosfield.]
