Anne-Marie Albiach: Two Poems: Flammigère & The Line ... The Loss Click on book covers for more information, where available.
Translated
by Peter Riley.
Published 2004, A5 chapbook, 28pp, £5. Also available in a downloadable e-book version by clicking on this link. ISBN 9780907562412
Anne-Marie Albiach is one of France's leading avant-garde poets. Although much of her work has been translated and published in the USA, littlehas so far been made available in Britain. This chapbook unites two texts from very earlyand very recently in her career: Flammigère was her first book, a long poem published as a limited edition by Siècle à Mains in 1967 in London, where she was then living; 'La ligne . . . la perte' appeared in 1999 in a festschrift volume dedicated to fellow poet Claude Royet-Journoud and was otherwise uncollected in France until the author's new book in mid-2005. This poem shows interesting parallels to the much earlier work. Flammigère has never been collected in any of Ms. Albiach's French volumes and she has always declined permission for its republication. She has however permitted an Italian translation and, now, an English translation.
Martin Anderson: The Kneeling Room
Published 1981. 20pp, centre-stapled chapbook. Out of
print.
ISBN-10 0907562035
The author's first collection. Originally issued as part of the 4th issue of the first series of Shearsman magazine.
Martin Anderson: The Ash Circle
Published
1986. 40pp, centre-stapled chapbook. £4.00
ISBN 9780907562108
The author's second collection. A revised edition of this book appeared in the USA from Alma House Press, New York, in 1989.
Available direct from the publisher.
Martin Anderson: The Hoplite Journals
Published
2006. Paperback, 136pp, 8.5x5.5ins, £9.95 / $17
ISBN 9780907562818
This prose sequence, The Hoplite Journals, the first volume of an ongoing project of the same name, is characterised by rapid temporal and spatial shifts amidst observed and imagined realities. It returns again and again, however, to meditate upon notions of identity and of memory, of time and of space.
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Rachel Tzvia Back: On Ruins & Return
Published
2007. Paperback, 104pp, 8.5x5.5ins, £8.95 / $15.
ISBN 9781905700370
On Ruins & Return: Poems 1999-2005 is Rachel Tzvia Back's second full-length collection and tracks the cycle of violence marking the lives of Palestinians and Israelis in the last intifadah (uprising).
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Anthony Barnett: Miscanthus. Selected and New Poems
Published
2005. Paperback, 251pp, £11.95 / $20
ISBN 9780907562559
A long-overdue survey of Anthony Barnett's work, this book provides a welcome opportunity for new readers to get to know his singular art – he is like no other poet of his generation writing in the UK, but both his elliptical lyrics and his work in longer spans should be part of the current consensus as to what constitutes modern English poetry.
Ellen Baxt: Analfabeto / An Alphabet
Published
2007. Paperback, 80pp, 8.5x5.5ins, £8.95 / $15.
ISBN 9781905700363
Analfabeto / An Alphabet was written in Recife, Brazil, and Brooklyn, New York. Part dictionary, part travel diary, part historical record, it crosses genre boundaries narrating a story of fragmented shifts in identity — cultural, gendered and sexual. It addresses the complications of translation, not only linguistic translation, but also the multiple ways we translate ourselves when we are away from whatever we might call "home."
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Fred Beake: New and Selected Poems.
Published
2006. Paperback, 143pp, £9.95 / $17
ISBN 9780907562986
Fred Beake has been writing since the late Sixties, and this New and Selected
provides a much needed overview of a constantly developing body of work. About
a third of the book is given over to the very fresh and colourful poems
that have been written since the author's move to South Devon in 2003.
Beake has maintained an interest throughout
his career in the short, often very visual lyric; but has also written off-beat
fictions around particular characters, and very musical longer pieces such
as 'Marona' and 'Towards the West' that reflect (if at a distance) the poet's
early interest in the French Surrealists. This is an unusual poetry, and hard
to place in terms of the modern scene. It occupies a position that is equidistant
between the Imagists and Objectivists, the Surrealists, and much older things.
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Ilhan Berk: Madrigals
Translated
by George Messo
Published 2008. Paperback, 104 pp, 8x5ins, £8.95 / $15
ISBN 9781905700738
Madrigals is a collection of poems by Turkey's leading experimental poet, an 89-year-old still at the height of his powers. With spare texts, sometimes with only a few words to a page, this collection has a powerful meditative quality, even as the words trail away into silence and the whiteness of the page.
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Linda Black: Inventory
Published
July 2008. Paperback, 102pp, 8.5x5.5ins, £8.95 / $15
ISBN 9781905700905
Linda Black's first collection consists entirely of prose poems. The author says of the collection:" I like how the form allows for an ending that isn't an ending – I don't believe in the idea of closure; as in etching I'd want an image, fine detail, but also degrees of dark or shade with less definition, something implied, unseen, reverberating in the shadows."
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Elisabeth Bletsoe: Landscape from a Dream
Published
2008. Paperback, 84pp, 8.5x5.5ins, £8.95 / $15
ISBN 9781905700875
Landscape from a Dream is Elisabeth Bletsoe's first collection in over ten years and offers startling evidence of a powerful voice that should be better known. Very much a poet of place, Elisabeth Bletsoe fuses elements of folklore, botany, literature, myth and narrative into a poetry that at once feminist in spirit, forthright, and – to a certain extent – at odds with the prevailing British poetic styles, whether conservative or radical.
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Anne Blonstein: memory's morning
Published
2008. Paperback, 88pp, 8.5x5.5ins, £8.95 / $15
ISBN 9781905700769
A musical phrase, a dream image, the absence of a lover, fragments of conversation with friends, an atrocity, the fragility and infinite mutability of words . . . each of the 71 poems in this collection proliferates around its transient nucleus. Like cells in a body, they are dynamic repositories of the past, sites for the breakdown and synthesis of experience, receptors and translators of self-generated and external messages. The immediate setting of the poems is Europe, a continent of many languages, whose borders can be porous or impenetrable depending on who wants to cross them. Download a sample PDF from this book here
Andrew Brewerton: Raag Leaves for Paresh Chakraborty
Published
2008.
Paperback, 96pp, 8.5x5.5ins, £8.95 / $15; ISBN 9781905700783
Hardcover, 96pp, 8.5x5.5ins, £12.95; ISBN 9781905700776 (Available in
the UK only)
Raag Leaves is a sequence of poems offered the author's friend, the artist Paresh Chakraborty, one of whose works graces the cover of these two editions. The sequence of 37 short lyrics – printed on the recto pages only – demonstrates what some of us have known for some time: that Andrew Brewerton's quiet poetic voice is a powerful one, creating an ambitious new work that is very much in the modernist tradition.
Richard Caddel: Larksong Signal
Published
1997. 64pp, paperback. £6.50 / $9.95. Out of print.
ISBN 9780907562238
The author's third full-length collection, covering work written between 1990 and 1995.
David Chaloner: Delight's Wreckage
Published
2001. 64pp, A5 paperback. Out of print.
ISBN 0907562302
Chaloner's first full-length collection since 1989's Trans, this is an important collection by a significant figure from the (inaccurately-named) Cambridge School, associated in earlier years with the Grosseteste Review and the Ferry Press.
Avik Chanda: Footnotes
Published
2008. Paperback, 80 pp, 8x5ins, £8.95 / $15
ISBN 9781905700677
Footnotes, Avik Chanda's first collection of poetry in English, brings together his work over the past five years. In this, he has set out to explore a deeply personal emotional landscape, employing memory to create snapshots from a poetic autobiography. While some of the pieces have a purely personal emphasis, as in the title poem 'Footnotes', a breadth of allusion throughout the collection hovers on the periphery of three larger-than-life domains – Painting, Music and History, which are his chief interests.
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