Miguel
de Unamuno came to the writing of poetry late in life. Born in
1864, his first
Poesías did not appear until 1907.
Despite this late start, Unamuno crafted his poems with utter care:
what he wished
to say through the
medium of poetry, he could not say in any other way. His poetry is harsh,
intense, in keeping with all of Unamuno's works in which the lively sweep
of his personality embraces collective experience without yielding anything
of its own identity.
In
Spain, Miguel de Unamuno was called 'a universal Basque'; and
indeed he passionately loved the Basque language and
culture, which he expounded
with great competence. Unamuno, however, was no mere local genius.
Rather, his thirst for knowledge and his mastery of European
modernity transformed
him into an international figure, and his intellectual sway was acknowledged
throughout the whole Spanish-speaking world. While the native Basque
is omnipresent in his writings, Unamuno is generally associated
with Salamanca
where he began to teach Greek at the university in 1891, and where
later, in 1901, he became the university's rector. He died
in 1936.
In
a collection that appeared in 1920, containing accounts of his
travels, there is the story of a journey made by
Unamuno to Peña de Francia,
south of Salamanca. The story highlights a memory which originated
in the setting of a lake called del Cristo de la Laguna because of its proximity
to a sanctuary. This memory, Unamuno writes, 'was impressed on me
forever; of an evening, after sunset, passing over a ridge
of earth, I suddenly
saw the oaks as though mirrored in the sky which seemed spread out
at their
feet.' It was this experience that provided the occasion for the
first of these two sonnets. The other sonnet has as its
setting a small island
of the Canaries to which Unamuno was confined in 1924 by the Dictatorship
of General Primo de Rivera. |