Shearsman 50

GEOFFREY SQUIRES

From Untitled II
(sections 14-27 from 57)


 

Coast laced with islands         the sea a deep deep blue
broken only by the small puckers of waves


as if from sleep or some other absence
as if it from sleep or some other absence

the mind is full of assertion and denial
which neither thing

and to get the right balance get the balance right

uninflected in any of the ways that it might
inclined turned neither towards one thing nor the other
one thing or another

there is not one moment but that something happens
body place light what else      experience

 

 

***

 

Glitter then

or that it might      that it might even a little
how they appear to us how they are remembered
each look small glance each little excursion

as between several only one of which

and ready ready as it were
where in truth the mind cannot follow
when all is brought to bear

 

 

***

 


Steady it is steady
and all the time this other thing going on

in the front room
the flowers are arranged by the sea-window the bay
body place light what else

world comes in sound sounds       after a little delay

tiny waves      the occasional ripple
reaching the water’s edge
only to collapse dissipate itself

last small effect

 


***

 


That it might      that it might even a little

distraught logic
to get the right balance get the balance right
as between several only one of which

what problem is it we are talking about then
finds things to work on

as if from sleep

into the one small aperture which still exists
in the knowledge that      with the knowledge that
what it does it does lightly and without noise

and by the same token


***

 

Slope of sound      down where it comes from
last small effect

has no need of      is not part of    unaffected by
the mind is full of assertion and denial

and no impediment or obstacle nothing it seems in the way
but to listen for    hear the right thing
that we    so that we

quick it is quick rapid extraordinarily so

and overlapping not separate or distinct
laid down one upon another one after another
how they appear to us how they are remembered


 

***

 

And peopled as it were

remoter things quiescence of distance
pausing only to take in what is different what is new

to each side as far as the eye can see
what kind of memory is it that the body has

this landscape spread out before me like a word

never at rest never quite at rest
so that something should come out of it
so that it should not altogether be wasted

 

 

***

 


Winter sun      low and blinding
all that is surface surfaces

unthinkable that it would ever
yes but then

maintains maintains itself
has no need of      is not part of
and overlapping not separate or distinct

unthinkable that it would ever
and laid down one upon another one after another

 


***

 


How     in what way
almost or about to or just after
and overlapping not separate or distinct

magnificent interminable arbitrary inconsolable

memory of them    of what    of them
that we    so that we
almost or about to or just after
unthinkable that it would ever

maintains maintains itself
yes but then

 

 

***

 

 

Of which we know nothing are only dimly aware
and by the same token

low hum of insects nearby further away

light     movement or play
recognition is not knowledge is it
how     in what way

repetition of    accumulation of
there is not one moment but that something happens

 


***

 


Small things that lie in wait
that hover in the air as it were
almost or about to or just after

to get the right balance get the balance right

how     in what way
so that each     each

that hover in the air as it were
many and at the same time
how they appear to us how they are remembered

 

 

***

 

 

Behind that and behind that again
hidden sounds unattributable movements
this place which has become a place of the mind

small things that lie in wait
that stand upon the air as it were
minuteness of world each particular

distraught logic
steady it is steady

and that moment just before
it has gathered itself collected itself

 


***

 

 

At the level of the senses
there is not one moment but that something happens

haze sunlight     diffused not concentrated

behind that or behind that again
entering or disappearing
or like something that we might imagine

where does it lead nowhere certainly

entering or disappearing
hidden sounds unattributable movements
this place that has become a place of the mind

 

 

***

 

 

And closed behind us again as if we had never been
entering or disappearing
recognition is not knowledge is it

at the level of the senses
light     movement
this present we parted

way or way through

where does it lead nowhere certainly
beyond that or beyond that again

 

 


***

 


And the words themselves reaching towards some conclusion

what softness is this     what light that waits
which takes to itself absorbs into itself
receives

memory reciprocity
recognition is not knowledge is it
what softness is this     light that waits

while or until
capacity or loss
the consequences of which

 

Copyright © Geoffrey Squires, 2002

 


Irish poet Geoffrey Squires teaches at Hull University; his books include Drowned Stones (New Writers' Press, Dublin, 1975), XXI Poems (Menard Press, London, 1980), Landscape and Silences (New Writers’ Press, Dublin, 1996), A Long Poem in Three Sections (Levraut de Poche, London, 1997) and This (privately published, 1997).