Shearsman 59

Gavin Selerie

Doctor Helios Lights the Lights


Chase some oranges
     Chase some numparals
          Chase a bill of the play

At the touch hole
     in Hades' lair
          the guisers gone

Wilderness paint
Ablaze—the sky at noon

Smouldering to step out
as words you can't hear
Lines meet on the ceiling:
a giant bird cage
Contagion climbs to the dome
on gothic stilts
Four tiers and the renter goes
     anywhere
          but behind the frame
Fantastic at a sennet-pitch
     in coils of smoke
          the screen crashes
You can lose a shoe or a hat
at the pit order, a flash
Every score and script
(St Cecilia's harpsichord)
Cut-glass candelabra—sugar-candy
     voise verse
in the oilman's mouth
Sparks and flakes—crackling
     to stun all memory
as molten lead descends
See to be seen, expectation
     on tip-toe
No room and no money returned
Boiling silver with a hiss
     to ensure
the ultimate pageant
Banquo's ghost in the Greenroom
Kemble leaping from a casement
Ireland's Horsus cut by the curtain
Grimaldi faced with a riddle
A sprite that has wandered unawares
never loved these huggers
here to stave off ruin
topples Apollo to the floor
          Fears and hopes
     chewed
into holding sense
          A column of fire
     close/remote
on the river glaze
Josepha through dungeon spikes
Elvira come back in a nun's habit
Hermione saved from the flame
Shivers, a gunshot volley
cordage blown to the clouds
in a late roll
           That evening never done
     ringing
          Drag from the ashes
     a peal of bells
     echoes in a horse-shoe
          on swags of blue velvet
     your patent in an iron box
          beside one gaunt shoulder
Steal from the stealer
     round mirrors
a dose of spectromania
Laugh off the smarting tears
     calmly take
the draught to start again

 


Copyright © Gavin Selerie, 2004.


Gavin Selerie was born in London in 1949. His books include Azimuth (Binnacle Press, London, 1984), Roxy (West House Books, Sheffield, 1996), and (with Alan Halsey) The Days of '49 (West House, 1999). The poems printed here are drawn from Le Fanu's Ghost, a work-in-progress that deals with the Le Fanu, Sheridan and Blackwood families, all intertwined by marriage. It treads the interface between horror and laughter.