Right here, an alternate reading or despair our conditions?
Suggestion of foul play makes us experimental partners tentative
in keeping beat as nationalist pulse that races,
arranged in steps. But then coming down, erratic
words in mold and stale bread, informational or distilled
story, no unturned example, unpermitted dumping
altogether-now when most attacked historically –
At reading, our meter for conditioned signs now bypassed,
valid signature, worked valve, slick-faced
interference, rolled up welcome mats, suspicion –
now that's another story: hopped up percussionists
hum of air tankers on return circuit ‘til it's out
emphasizing old taints and favors, impediments
liked for charting counterintuitive voting patterns
believers are no longer pulled inward to its great
or sundown, whichever comes first. A new science,
a sort of confusion using bad foot to drag good
as two ends reach across states' suspension.
Hadn't you hoped for a change adding fire,
telling-knots addressed to mind by hand, but the music
acquired measure runs its blood circuit, what's there
after midnight in our motivated glacial moraine. None.
No software adequate to discern delusion, an error
behind favoring the favored, never happens
yet how little we know of the world's composition
in just societies even in legislative form
or social constraint, those forces holding power of refusal
to natural domination, ill-gotten releases.
Products from agricultural regions compete for last:
feathers drop after double barrier, world becomes wide.
Irresistible volume to pattern desire, define equally
as mystify, knowing deferral works well –
boulder and drag-marks behind the car's embankment.
The means already upon us completes
our education by vanishing, tools stuck with range:
limits embellish mortal compass with blurred sides, so true
Copyright © Deborah Meadows,
2006.
Deborah
Meadows teaches in the Liberal Studies Department
at California State Polytechnic University, Pomona. Her works
of poetry include: Representing Absence (Green
Integer, 2004),
Itinerant Men (Krupskaya, 2004),
and two chapbooks, Growing
Still (Tinfish, 2005) and The
60's and 70's: from
The Theory of Subjectivity.