Atar Hadari Gethsemane

Khaled Hakim Letters from the Takeaway, & other distances

Khaled Nurul Hakim To the Hitchhiking Dead
To the Hitchhiking Dead is a book-length sequence culled from notebooks made between 1986–1988 when hitchhiking in Europe and England or otherwise doing nothing. An unknown poet – even to himself – who didn’t know he was seeking and fleeing lost love, and assured he was the only Asian freak on the roads in nail varnish and pearls. Those notebook sketches were towards an epical rhapsody that never got written. By the time I came to be published in the ’90s my poetry was framed in a post-Language discursivity: hard, vituperative, directed to actual audience-readers (epistles, performances). No-one would know that poet was made of such Romantic ravings. In 2019 I revisited the dozen notebooks to piece it together.

Catherine Hales hazard or fall

John Hall Couldn't You?

John Hall As a said place

John Hall Essays on Performance Writing, Poetics and Poetry, Vol. 1: On Performance Writing, with pedagogical sketches

John Hall Essays on Performance Writing, Poetics and Poetry, Vol. 2: Writings towards Writing and Reading

Alan Halsey Rampant Inertia

Alan Halsey Selected Poems 1988-2016

Kelvin Corcoran & Alan Halsey Into the Interior
Published 2022. Chapbook, 24pp, 8.5 x 5.5ins, £7.50 / $10.95
ISBN 9781848618459
What are the captions using us for?
Halsey's series of diagrams and quatrains for Into the Interior is suggestive of a journey through the rebus-like territory of thought itself. Corcoran doubles the quatrains in answering him back, as if such a dialogue might be how to talk to a friend exploring the enigmatic signs of the journey remembered from long ago and made present again.
Poets Kelvin Corcoran and Alan Halsey have often collaborated. In the past this brought us
Your Thinking Tracts or Nation s (West House 2001),
A Horse That Runs: To & Fro with Wallace Stevens (Constitutional Information 2015), and
Winterreisen (Knives Forks and Spoons Press, 2019).

Lucy Hamilton Stalker

Lucy Hamilton Of Heads and Hearts

Lucy Hamilton Viewer / Viewed
Published October 2023. Paperback, 80pp, 8.5 x 5.5 ins, £10.95 / $18
ISBN 9781848618879 [Download a sample PDF from this book
here.]
“When I approach experimental poetry, particularly when it’s related to images – the ekphrastic relationship – I ask myself, does it work? By that I mean, does it carry off the symbiotic closeness, does it make me feel there’s a strong reason why the two art forms feed off each other? In the case of Lucy Hamilton’s
Viewer / Viewed, the answer is a resounding Yes.
First, the images: photomontages of close family members are transposed with each other, making one instead of two separate photos. Her photomontages led her, after a fallow period, to begin writing poems. “The tug of juxtaposition”: the inspiration for the creation of image and poem in this work, enabling her to resurrect memories of those she has grown up with and loved, the places she has travelled to, the objects holding significant meaning for her. The poems are composed in couplets and consist of thought and image units, decisions of what to juxtapose, quotations, and pauses separated by vertical lines or lines that begin with capital letters. The beauty of this process – for this work is, among other things, an illustration of a poetic process – results in the poems’ extraordinary accessibility and clarity. The back-and-forthness of image and poem, each illuminating the other, is exactly what a successful ekphrastic relationship should display, and what makes this collection ultimately so original and rewarding.” —Robert Vas Dias

Robert Hampson & Ken Edwards (eds.) CLASP: late-modernist poetry in London in the 1970s

Robert Hampson Seaport

Lesley Harrison Disappearance — north sea poems

Lee Harwood New Collected Poems

Lee Harwood Collected Poems

Lee Harwood Selected Poems

Lee Harwood & Kelvin Corcoran Not the Full Story: Six Interviews with Lee Harwood

Lee Harwood HMS Little Fox

Michael Haslam Mid Life

Michael Haslam Ickerbrow Trig
Published 2020. Paperback, 118pp, 9 x 6ins, £12.95 / $20
ISBN 9781848616974 [Download a sample PDF from this book here .]
Ickerbrow Trig , the book, is simply a collection of poems written since A Cure for Woodness . As for the book's title, it’s simply the remnant of a bonnet-bee and an exhausted pun. As a topographical feature, it exists, un-named as such on any map. As a topographical feature, it exists, un-named as such on any map, though Ickerbrow is better known to followers of the Ordnance Survey as High Brown Knoll. (Michael Haslam)
“In Michael Haslam we have a genuine major poet of the north of England” —David Wheatley, The Literary Review , on Scaplings (included in this volume).

Ralph Hawkins The MOON, The Chief Hairdresser (highlights)

Ralph Hawkins Gone to Marzipan

Ralph Hawkins It Looks Like an Island But Sails Away

Ralph Hawkins Tell me no more and tell me
First published 40 years ago by Grosseteste, this was Ralph Hawkins' first major collection.
Ralph Hawkins’ poetry is yeasty and written where the meanings are made rather than assigned. Its impulse is towards the immediate, apparently unsynthesised event where thinking occurs moment by moment. The aesthetic bears some resemblance to close mic techniques, we are drawn near to the experience and all distractions are removed for the intricacies of pure resonance. It produces a poetry as tricky as consciousness itself and its rewards are some considerable distance from the prefabricated commonplace expression of lyrical epiphany. Here is a poetry that is expansive, often humorous and always anarchic. In Tell me no more and tell me Ralph Hawkins’ refusal to whistle along with the sanctioned doggerel of English poetry and its returns is startlingly evident, as it has been throughout four decades of creativity.

Ralph Hawkins A Fancy Breeze Gets Up
A Fancy Breeze Gets Up collects together the poetry written by Ralph Hawkins since 2015 and the publication of It Looks Like An Island But Sails Away. In 1978 in his first book, English Literature, and before the concept of trigger warnings arose, Ralph Hawkins announced that he quite liked The Waste Land, it’s ‘like holding a gun at an ordinary/everyday person.’ His own poetry has maintained a variously combative Modernist verve since then, and whilst no one has been threatened or shot because of it, it is a risky, occasionally disquieting and humorous poetry which challenges and rattles the possibilities of poetry itself. A Fancy Breeze Gets Up exhibits these qualities abundantly in three different ways in the three parts of the book.

David Herd Walk Song
Written between 2015 and 2020, the poems of Walk Song build through a series of sequences which look to animate solidarities and the languages of rights. Taking their bearings from the Refugee Tales project, and always grounded in the collective walk, these are poems of friendship and movement, of landscape and politics, of action and hope. Addressing the environments we have made, the border and its hostilities, Walk Song sets out to picture settings in which the language might be opened, step by step.

Robert Herrick Hesperides

Robert Herrick Selected Poems

Lynne Hjelmgaard The Ring

Tammy Lai-Ming Ho If I Do Not Reply
Published May 2024. Paperback, 112pp, 9 x 6ins, £12.95 / $20.
ISBN 9781848619128
“A unique poetic testament of life in and out of Hong Kong between 2019 and 2022, spanning the Covid epidemic, and unrelentingly outspoken and courageous in defence of human freedoms facing systemic repression. Yet subject matter isn’t all. Gifted in every aspect of her poetic craft. Tammy Lai-Ming Ho is witty, clever, passionate – and acutely observant of the inner life. Although written with a Hong Kong sensibility, these poems transcend contemporality and location. They map our times: all our times.” — Richard Berengarten
Paul Holman The Memory of the Drift (revised & expanded edition)

Paul Holman The Memory of the Drift — Books I-IV
Published 2007. Paperback, 84pp, 8.5x5.5ins, £10.95 / $18
ISBN 9781905700295.
TITLE WITHDRAWN FOR NEW EDITION (ABOVE). SOME COPIES STILL IN STOCK.
This volume combines a revised text of the first part of The Memory of the Drift (written 1993-1999, and originally published in 2001) with the three interlocking, previously uncollected, books in which its argument is extended: In the Common Era, Dog Mercury and Vicinal .

Jeremy Hooker Upstate – A North American Journal

Jeremy Hooker Openings. A European Journal

Jeremy Hooker Ancestral Lines

Jeremy Hooker Diary of a Stroke

Jeremy Hooker Diary of a Stroke
Published 2019. Paperback, 88pp, 9 x 6ins, £10.95 / $18
ISBN 9781848616721 [Download a sample PDF from this book
here .]
Word and Stone is questioning poetry which explores the ground between language that seeks meaning, and the obduracy of matter, and between life and what seems dead. Its concern is with a sense of the sacred, and the possibility of renewing words such as ‘spirit’ and ‘soul’ in a materialist culture. But it celebrates the material world too, drawing upon nature and history in Hooker’s native Hampshire and his adoptive South Wales. It contains a number of elegies, paying tribute to friends, and to poets such as T. S. Eliot, David Gascoyne, and Christopher Middleton, and the Americans James Schuyler and Charles Reznikoff.
Word and Stone is concerned overall with ‘quickness’: how words may animate stone, and intimate the life of the dead.

Jeremy Hooker Selected Poems 1965–2018
Published 2020. Paperback, 278pp, 9 x 6ins, £16.95 / $25
ISBN 9781848617070 [Download a sample PDF from this book here .]
This volume draws on over 50 years of poetry written by a poet who stands a little askew to the dominant modes in Britain: an Englishman in Wales, and an English poet with a decided admiration for the work of both George Oppen and David Jones, two very different Modernist exemplars, whose work often seems to be admired rather than engaged with in this archipelago. Jeremy Hooker is a literary explorer, and a poet with a powerful sense of place, whose joy in landscape and his surroundings shines through his body of work.
"I am a lyric poet who seeks to free himself from the limitations of a narrow subjectivity." — Jeremy Hooker

Jeremy Hooker Art of Seeing
— Essays on Poetry, Landscape Painting & Photography

Jeremy Hooker The Release
Since Welsh Journal (2001), I have periodically adopted a form of writing that juxtaposes prose and poetry. The Release is a work of this kind, in which diary entries and poems are combined and interact. Roughly speaking, the diary records experience that generates the poems, or, to use another metaphor, the poems disclose their roots in the prose. Between June 2019 and August 2020, I spent four long periods in hospital, initially in Prince Charles Hospital in Merthyr Tydfil, and latterly in the Renal Unit at The Heath in Cardiff. The diary records my experience as a patient and reflects aspects of the life of the hospital; the poems respond to what I felt and saw in the ward, but also go beyond being a record of everyday reality. Like my Diary of a Stroke and other journals, The Release is a poet’s journal. In ways that the book describes, the periods of hospitalisation proved to be intensely creative. This was partly due to having so much time to write and read and think, together with the ever-present sense of mortality. (Jeremy Hooker)

Jeremy Hooker Addiction: A Love Story
Published April 2024. Paperback, 244pp, 9 x 6ins, £14.95 / $23
ISBN 9781848619456
Addiction is the story of a double struggle. It is about the effort of Jeremy Hooker and his wife, Mieke, to combat the alcoholism that eventually contributed to her death. Based largely on the poet's journal, it contains poems written as acts of survival. The book concludes with a sequence of elegiac poems.

Gerard Manley Hopkins The Wreck of the Deutschland

Peter Hughes Nistanimera

Peter Hughes The Summer of Agios Dimitrios

Peter Hughes Selected Poems

Peter Hughes & Simon Marsh The Pistol Tree Poems

Peter Hughes A Berlin Entrainment

Peter Hughes The Modulus of Rupture
Published July 2023. Paperback, 92pp, 9 x 6 ins, £10.95 / $18
ISBN 9781848618787 [Download a sample PDF from this book here.]
Comments on previous work by Peter Hughes:
‘a poet who stands at the very forefront of twenty-first-century lyricism’ —Ian Brinton, P.N. Review
‘Peter Hughes personalises and modernises the Romantic lyric mode of address, blending it into the stratum of practical everyday living with its hassles and clutter, and the conversational speaking voice. He plays with the inheritance of the European love poem as a renewal of it, sometimes seeming to undermine it and then folding it back into his purpose. This is a poet working very much in his own way, and breaking the rules of just about all current schools.’ —Peter Riley

Peter Hughes (ed.) Sea Pie: An Anthology of Oystercatcher Poetry

W.D. Jackson Boccaccio in Florence and other poems

John James Sarments — New & Selected Poems

juli Jana ra-t
Published 2014. Chapbook, 32pp, 8.5x5.5ins, £7.50 / $10.95
ISBN 9781848613676 [Download a sample PDF from this book here .]
The figure of ra-t slithers through these pages like the Zelig of London Town—an ocular witness at every juncture of its history. His split name makes him a fractured and contradictory creature. Always recognizable he is also hesitant and obscure, not unlike this text which at every turn employs discontinuity and slippage as formal strategies whilst being as familiar as nursery rhyme. Ra-t is a survivor, but you won’t find him—he is today and gone! —Jeff Hilson

David Hackbridge Johnson Après Rops
Published August 2023. Chapbook, 28pp, 8.5 x 5.5 ins, £7.50 / $10.95
ISBN 9781848618398 [Download a sample PDF from this book
here.]
Félicien Rops (1833–1898) was a Belgian artist, primarily a print-maker. He was a friend of Baudelaire, Gautier, Mallarmé and Péladan. His work – symbolist and decadent in tone – retains its shock value over a century later. In a sequence of poems inspired by Rops’ etchings and peppered with ill-translated fragments plundered from old exhibition catalogues, Hackbridge Johnson wrenches the daring reprobate into the 21st century where he is surely needed to puncture the hypocrisies of a discredited age.

Norman Jope The Rest of the World
The Rest of the World is Norman Jope’s sixth full-length collection and his second from Shearsman, after Dreams of the Caucasus (2010). ʹGeo-delirumʹ – as the title of one of the pieces puts it – is perhaps the guiding theme of this collection. Following on from Dreams of the Caucasus, Jope’s prose poems occupy an interconnected – and increasingly digitalised – world in which traditional notions of the ʹpoetry of placeʹ continue to be at stake. Evidence gained from virtual explorations – Google Street View in particular – informs much of the work, enabling the author to ʹtravelʹ to locations as diverse as Sicily, Mississippi and Norway with no more than a series of mouse-clicks. By contrast, other pieces draw upon his first-hand experience of Hungary, Plymouth and elsewhere from his early years onwards as well as on his extensive reading and research. The world is envisaged as a treasure-trove of information that can be accessed, by all available means, in the pursuit of whatever knowledge a finite human life allows.

Norman Jope Dreams of the Caucasus

Norman Jope, Paul Scott Derrick & Catherine E. Byfield (eds.) The Companion to Richard Berengarten

Andrew Jordan The Trusty Servant
I chanced to see Old English verse in paragraphs like prose, obsolete characters redolent of atmospheres we are no longer encouraged to admit. An ancient tradition, reaching beyond us into new forms, frames what we might hand over or betray.

Andrew Jordan Hegemonick

Andrew Jordan Ha-ha

Alice Kavounas Ornament of Asia

Alice Kavounas Thin Ice
Published 2013. Chapbook, 36pp, 8.5x5.5ins, £7.50 / $10.95
ISBN 9781848613157 [Download a sample PDF from this book here .]
Thin Ice takes the reader on an odyssey of the imagination, with poems whose sources range from a childhood in Maine, to New York City of the Vietnam era, to our paranoid post-9/11 world. There is a measure of relief in the quotidian pleasures of our beleaguered natural environment, whether from a terrace on a Greek island, or the poet's garden in Cornwall. Thin Ice follows Alice Kavounas' earlier collections, Ornament of Asia , and The Invited.

Alice Kavounas Abandoned Gardens — New & Selected Poems

Alice Kavounas One Step at a Time
Published October 2023. Paperback, 78pp, 8.5 x 5.5 ins, £10.95 / $18
ISBN 9781848618947 [Download a sample PDF from this book
here.]
“Whether Alice Kavounas is walking the bounds of her home in Cornwall, speaking across time to her brother, or wryly contemplating two funerary caskets, one containing a dog’s ashes, the other those of a family member, her poems are distinguished by clarity of observation, by wit, and by individual grace. We go from Cornwall to San Francisco to New York; to Minsk, London, and Palm Springs; always her voice is measured, searching. She is interested in scale; in minutiae, as in her beautiful study of a painting of an African finch, or in finding herself a holidaying bystander in 1968, witnessing tanks en route to the invasion of former Czechoslovakia. This acutely-assembled collection is rich in such telling intersections, and her narrative energy is flawless. She follows threads of thought and memory and imagination with exact insight and compassion. She reminds us that unless we give honour and attention to the past, we are lost. Her poems are rich in those qualities that we require of poems, so that we may better comprehend and celebrate our human lives.” —Penelope Shuttle

David Kennedy (ed.) Necessary Steps

David Kennedy The Apple and the Mountain

Aaron Kent Angels the Size of Houses
"Every poem is a dizzy word-dazzle, a dance of images, expressing a real life of work, babies, love and loss. Some are shaped by word-music. Some scatter the page and the mind, stretching poetry to its limits, and leave me wondering. No bad thing." —Gillian Clarke

Bridget Khursheed The Last Days of Petrol
My interest is in ecopoetry and the teetering intersections between landscape (or the shape of things), nature and population. The new collection, The Last Days of Petrol, centres on how we cannot imagine that the world as we know is about to change in personal, political or global terms. Summed up in a couple of quotes: one from George Eliot – “A man will tell you that he has worked in a mine for forty years unhurt by an accident as a reason why he should apprehend no danger, though the roof is beginning to sink; and it is often observable, that the older a man gets, the more difficult it is to him to retain a believing conception of his own death.” And one that is included in the collection itself from Hugh MacDiarmid – “It is a frenzied and chaotic age, Like a growth of weeds on the site of a demolished building.” We continue to search for our homes and perhaps that will transform our relationship to earth. (Bridget Khursheed)

Kenny Knight Love Letter to an Imaginary Girlfriend
‘When I write I take things from everywhere / like a magpie and twist them.’

Kenny Knight A Long Weekend on the Sofa

Kenny Knight The Honicknowle Book of the Dead

Zbigniew Kotowicz Fernando Pessoa —
Voices of a Nomadic Soul

philip kuhn at maimonides table

R.F. Langley Journals

Peter Larkin Leaves of Field

Peter Larkin Lessways Least Scarce Among — Poems 2002–2009

Peter Larkin Give Forest Its next Portent

Peter Larkin Introgression Latewood

Peter Larkin Tress Before Abstinent Ground

Peter Larkin Encroach to Resume
Published 2021. Paperback, 104pp, 9 x 6ins, £10.95 / $18
ISBN 9781848617568 [Download a sample PDF from this book here .]
These poems entwine round such matters as how roots move as they grow or how feet plant themselves, why a forest admits lanes and lines but obstructs them into shelter, how a tree might relate to all it isn’t, what the hidden domains of nature can mean in and for trees, or the way in which trees cast the skies themselves into flight. The two last poems envisage a body language for trees, or how a dead upright tree remains a living nub of forest.
“Setting up an ecological orientation against habitual ways of reading and perceiving language, Larkin’s poems offer scientifically descriptive close investigations of trees whilst implying an allegorical dimension. They do so by means of a range of registers that only gain their scarce value in relation to one another.” —Katharina Maria Kalinowski

Peter Larkin If Trees Allay an Earth Retrialling
Published 2023. Paperback, 118pp, 9 x 6 ins, £12.95 / $20
ISBN 9781848618954 [Download a sample PDF from this book here.]
“Larkin’s way of pulling language up by the roots – literally, as we have frequently to go back to the root meanings of words to understand his unorthodox grammar – does not make it easy for the reader, but he is a rewarding and deeply original poet.” —Isobel Armstrong
“No poet has ever given so much to trees – his thought, his attention, his invention – which lets him then, in turn, give these trees to us, and in ways that highlight the complexities of their architectures and their contexts, their interactions with the myriad communities in which they participate. This new collection branches out toward grasses, seeds, electricity … all propelled by a wonderful tanglework of sound that reflects the environmental networks in which trees play such a crucial role. This book is a sheer gift – of trees and to trees, and above all, to readers who love them.” —Cole Swensen

Peter Larkin Scarcely Carry All Vast Woods
Published 2025. Paperback, 98pp, 9 x 6ins, £12.95 / $20
ISBN 9781848619739
These poems explore further and future ways of plants and trees, and won’t duck from being permeated at the same time by irradiating horizons or tensile symbols which perform a vital role in any multi-dimensional inter-relations.
‘This is not a poetry about trees, but about trees as a means of thinking, the material through which we can and do think, a world, its ontology, its epistemology too.The tree as discourse. The tree as perceiver of what the tree needs to know.’ —Stephen Collis

Sarah Law Ascension Notes

Sarah Law Perihelion
Published 2006. 8.5x5.5ins, 116pp. £12.95 / $20
ISBN 9780907562825 [Download a sample PDF from this book here .]
Prepare for some adventures in
Perihelion . These poems evoke shifting states of mind and heart, from childhood terrors to the wisdom of the mystic, with all the twists of love, doubt and insight which come in between. There are monsters in this collection (but are they generated by science-fiction or the psyche?); there is grace, there is art, and there is longing. In her writing, Sarah Law traces the dynamics of relationship and of solitude, pushing lyric poetry to a playful complexity, but allowing the poignancy of our human condition to flow through each poem. Perihelion is Sarah Law's third collection.

D.H. Lawrence: Look! We Have Come Through!

D.H. Lawrence Birds, Beasts and Flowers

D.H. Lawrence Studies in Classic American Literature

Ágnes Lehóczky Swimming Pool
Published 2017. Paperback, 130pp, 8.25 x 5.5ins, £14.95 / $23
ISBN 9781848615427 [Download a sample PDF from this book here .]
Here the text or the poem is a swimming pool, a pool in which language or thought-as-body glide through cultural and or phenomenological spaces; fluid places for being, thinking or even swimming in the world. It is polyglot within English, let alone in relation to all the other tongues that are almost audible and to the maps of Europe that move to and fro somewhere beneath the text.

Ágnes Lehóczky Carillonneur

Ira Lightman Duetcetera

Gerry Loose Printed on Water — New & Selected Poems

Gerry Loose that person himself

Gerry Loose An Oakwoods Almanac

Gerry Loose without title
Published 2024. Paperback, 132pp, 9 x 6ins, £12.95 / $20
ISBN 9781848618664
"without title : it’s a modest name for a book, but also a refusal of the very idea of human ownership of land (was there ever a sillier phrase than ‘title deed’?). There’s an extraordinary clarity of sound in this work, rooted in Loose’s recollections of the troubadours in Montpellier and culminating in an airy sequence called ‘airs’ which sings along with literal birdsong. From Occitania and Japan to the woods and shores of Bute, Loose sees common ground everywhere: noticing familiar plants in strange places, finding friendship across a language-barrier, understanding the soil and the living and mineral beings that make it and are made from it. These poems often look back, but they’re filled with a forward-thinking optimism. The (un-)title sequence is written ‘for the symbiocene’, a time when humans and the natural world will find sustainable and mutually-beneficial ways to co-exist. It’s an endlessly strange and baroque celebration of exchange and equivalence and transformation, very funny as well as beautiful (‘it is the law / that bees / are fish’), putting us in our place and the fungus in fungibility." —Peter Manson

Helen Lopez Shift Perception

Tony Lopez Only More So
Published 2012. Paperback, 260pp, 9x6ins, £16.95 / $25
ISBN 9781848611887 [Download a sample PDF from this book here .]
In this twenty-first century poem, Tony Lopez samples and seamlessly combines writings from many fields of science and culture, composing by means of intuitive and discreet intervention something quite unique. In a review of Darwin (one 10% section of Only More So ) Ron Silliman described this writing as "the most exquisitely constructed prose I've ever read—more lush than Proust"; he wrote that it “just might be the most beautiful poetry collection ever written". Only More So engages the darkest aspects of human nature, extinction and genocide; it may also be the first Constructivist poem composed on the pleasure principle.

Tony Lopez False Memory
Published 2012. Paperback, 120pp, 8.5x5.5ins, £12.95 / $20. 2nd edition.
ISBN 9781848611948 [Download a sample PDF from this book here .]
"[…] by far my favourite individual volume of poetry this year [was] Tony Lopez's False Memory , a series of sonnet sequences collaging and remixing the white noise of 1990s Britain into a disorienting, sometimes hilarious, often sinister, and always satirical challenge."
—Robert Potts, The Guardian , 6 December 2003.

Tony Lopez (ed.) High on the Downs —
A Festschrift for Harry Guest

Tony Lopez & Anthony Caleshu (eds.) Poetry and Public Language

Tom Lowenstein The Bridge at Uji

Tom Lowenstein The Structure of Days Out
Tom Lowenstein taught English in London and at Northwestern University between 1965 and 1974 . He first went to Tikigaq in 1973 and returned there to work with Asatchaq and other elders from 1975 to 1980. He studied Sanskrit at the University of Washington in the 1980s and now lives in London. He works part time online as an English tutor and continues to write poetry.

Tom Lowenstein From Culbone Wood — In Xanadu

Tom Lowenstein Conversation with Murasaki

Tom Lowenstein Ancestors and Species. New & Selected Ethnographic Poetry

Rupert Loydell (ed.) From Hepworth's Garden Out

Rupert Loydell Boombox
ISBN 9781848610583 [Download a sample PDF from this book here.]

Rupert M Loydell An Experiment in Navigation

Rupert M. Loydell A Conference of Voices

Rupert M. Loydell Wildlife

Rupert M Loydell Ballads of the Alone

Rupert M. Loydell Encouraging Signs

Rupert M Loydell The Return of the Man Who Has Everything

Rupert M Loydell Dear Mary

Rupert M Loydell The Age of Destruction and Lies
Published June 2023. Paperback, 104pp, 9 x 6 ins, £12.95 / $18
ISBN 9781848618893 [Download a sample PDF from this book here.]
In this new book of poems Rupert Loydell writes about the world he now finds himself living in, questioning the damage caused by time, memory, lockdown, aging, politics, lies, neglect and disinformation. Whether grappling with social history, corrupt data, road-building, Grenfell Tower, urban graffiti, faith and fine art, or ‘the fickleness of language’, these damaged prayers and disbelieving explorations are ‘configured for maximum twitch’. And despite the resigned conclusion that ‘we are only ever likely to have a clear backwards view’, and even though ‘it is totally absurd to expect answers that might help explain our world’, Loydell clings to the way that ‘memory is all about being able to change the past’ and notes that ‘the future is here right now’.

Rupert M Loydell & Sarah Cave A Confusion of Marys
