Robin Fulton Macpherson Arrivals of Light

Robin Fulton Macpherson Ancient Light
Published April 2023. Paperback, 88pp, 8.5 x 5.5 ins, £10.95 / $18
ISBN 9781848618701 [Download a sample PDF from this book here .]
In the 1960s and 1970s Robin Fulton Macpherson was active in Scottish literary life as a poet, reviewer and editor. Since 1973 his home base has been in Norway and in the decades since he has built a solid reputation as a translator of Scandinavian poets, such as Tomas Tranströmer, Kjell Espmark and Harry Martinson from Swedish and Olav H. Hauge from Norwegian. His A Northern Habitat: Collected Poems 1960–2010 (Marick Press, 2013) was described by Carol Rumens in The Guardian as “a major achievement, enriching the habitat of contemporary letters in our own archipelago and beyond.” John Glenday, in Northwords Now , referred to the book as “a real treasure of a collection, a weighty, important reminder that Fulton Macpherson is a prominent figure in Scottish poetry… His poetry is enduring as granite. It will weather well”, while Peter M. McDonald, in Rain Taxi , felt certain that “ A Northern Habitat will stand the test of time. It is arguably the most important book yet from a Scottish poet in this new millennium.”
Ancient Light is his third Shearsman collection, following 2020’s
Arrivals of Light.

Barry MacSweeney Desire Lines: Unselected Poems 1966–2000

Phil Maillard Sweet Dust & Growling Lambs

D.S. Marriott Hoodoo Voodoo

D.S. Marriott The Bloods

Lila Matsumoto Urn & Drum

Sophie Mayer Her Various Scalpels

Erica McAlpine The Country Gambler

Ruth McIlroy The Pot of Earth and the Iron Pot
Ruth McIlroy is a poet of the ‘tilting world’. Her lyrics are charged with immediacy and proceed off-kilter in the revelation of familiar experience as unfamiliar and normality as something quite other. ere is much here, directly and indirectly, of heroic Gaelic song, both ancient and modern, conveying humour, darkness and arresting beauty executed with startling, sure-footed precision. Whether in lamentation, the conjuring of a curse or jogging in the park, in every mode the singer is possessed by the song. I once asked a Gaelic singer from the Isle of Lewis – What are you thinking about when you sing these songs? Oh the song mostly, the song, she said. Ruth McIlroy has this secret and doesn’t so much make it new as show us that it never grew old. At every turn in The Pot of Earth and the Iron Pot song is happening not only in the trees but almost everywhere else too. —Kelvin Corcoran

Anthony Mellors The Lewknor Turn

Anna Mendelssohn I'm Working Here: The Collected Poems
Published 2020. Paperback, 780pp, 8.5 x 8.5ins, £45.00 / $70

George Messo Entrances

George Messo Hearing Still

George Messo Violades & Appledown

Christopher Middleton Palavers & A Nocturnal Journal

Christopher Middleton Poems 2006-2009
Published 2010. Paperback, 182pp, 9x6ins, £14.95
ISBN 9781848611276 [Download a sample PDF from this book here .]
Christopher Middleton remained, in his eighties, a restless and inventive poet of the very first order. This volume contains three complete collections, and was the first to be published after the author's Collected Poems appeared to considerable acclaim in 2008. The entire collection has since been reprinted in the author's Collected Later Poems (Carcanet Press).
"Middleton is amongst the most consistently inventive, original, and audacious of the so-called 'experimental' or 'innovative' poets of these past twenty-five years." —August Kleinzahler, Threepenny Review

Christopher Middleton Serpentine
The Shearsman Library 3
Published 2018. Paperback, 120pp, 8.5 x 5.5ins, £12.95 / $20
ISBN 9781848615861 [Download a sample PDF from this book here .]
Serpentine was first published by Oasis Books in 1985 in a deliberately low-tech edition. Alas, it made little headway and the somewhat shoddy production almost certainly militated against its adoption by bookshops. It thus became Middleton’s “lost book”, although parts have been reprinted elsewhere. Subtitled (at least in the author’s correspondence, if not in the published edition) “prose pieces on the nature of evil”, the book shows Middleton at his playful, experimental best.

John Milbank The Dances of Albion

John Milbank Some Speaking Swirls
"The intersection of theology and poetry is a charged zone of encounter and, if I may say it, discipline. Yet there’s a generosity and a lightness to Milbank’s verse: a concinnity both with, and within the now, the lyric moment of generous apprehension, which aligns these taut lyrics with the sensibility of Traherne. 'Ripeness rustles,' but it is brightness that reigns here, among 'alien and yet familiar creatures,' a jackdaw, an escaped jaguar in a wood, a white cat in autumn, 'beech-mulch' that 'sings silently.' These radiant poems overflow with creation and gratitude." — G.C. Waldrep

David Miller Afterword
ISBN 9781848618046 [Download a sample PDF from this book here.]

David Miller Reassembling Still — Collected Poems

David Miller Spiritual Letters (Series 6)
Published 2015. Chapbook, 32pp, 8.5x5.5ins, £7.50 / $10.95
ISBN 9781848614550 [Download a sample PDF from this book here .]
“The word ‘spiritual’ is, in this volume, ripped away from the New Age and returned to its sources in Kabbalah and early Christian (gnostic) writings. But it carries with it the world as we have it now. A heap of horrors, remnants, a sense of the feminine under assault, and the drive to love. Therefore the dimensions are multiple and unstable. To be human is to be a spiritual entity more aligned with nature than with culture, and therefore to rebel. I am happy to have and to hold this book.” —Fanny Howe, on Series 1-5 of Spiritual Letters

David Miller The Waters of Marah. Selected Prose 1973-1995

Geraldine Monk (ed.) CUSP — Recollections of Poetry in Transition

Helen Moore Hedge Fund

John Muckle London Brakes — a novel

John Muckle My Pale Tulip — A Novel

John Muckle Falling Through — a novel

John Muckle
Late Driver

John Muckle Little White Bull — British Fiction in the 50s and 60s

John Muckle Firewriting and other poems
Published 2005. Paperback, 130pp, 9x6ins. £12.95 / $20
ISBN 9780907562641 [Download a sample PDF from this book here.]
This first collection of John Muckle's poetry, written 1998-2004, begins with a sequence about working in Care Homes, continues with poems whose literary subject matter ranges from Nathaniel Hawthorne to Coleridge and Philip K. Dick, reflections on life, love and politics, and closes with 'Firewriting', a long poem which imagines that German-Jewish writer Walter Benjamin managed to escape over the Franco-Spanish border in 1940 and has ended up in contemporary London.

John Muckle Mirrorball

Paschalis Nikolaou & John Z. Dillon (eds.) Richard Berengarten —
A Portrait in Inter-Views

Douglas Oliver Islands of Voices
— Selected Poems
Published 2020. Paperback, 198pp, 9 x 6ins, £12.95 / $21

Peter Oswald Sonnets of various sizes

Sonia Overall The Art of Walking
Published 2015. Chapbook, 36pp, 8.5x5.5ins, £7.50 / $10.95
ISBN 9781848614482 [Download a sample PDF from this book here .]
Sonia Overall is a novelist, poet and lecturer based in Kent. The Art of Walking is a collection of responses to movement and place, reflecting the writer’s interest in the relationship between walking and creativity, self and setting.

Fani Papageorgiou When You Said No, Did You Mean Never?

Fani Papageorgiou Not So Ill with You and Me

Fani Papageorgiou The Purloined Letter

Sandeep Parmar The Marble Orchard

Sandeep Parmar Eidolon

Sandeep Parmar Faust
Poetry Book Society Choice, 3rd Quarter 2022.
Goethe’s version of the scholar’s fateful wager with Mephistopheles inspires the central sequence of Faust, mapped onto the figure of the migrant who flees a postcolonial legacy of fire, displacement and climate destruction for a life of eternal striving. As Parmar asks in 'The Winnowing Shovel': 'How is striving itself, as an idea built into literary models and real-life stereotypes of the good immigrant or the model minority, how might striving—in the Faustian sense—provide a way of thinking about heroism, tragedy (modern and ancient) and migratory grief? Who chooses to leave and why, who attempts to return, who stays on, who, to borrow from Bhanu Kapil’s image of reverse migration, is made psychotic in a national space, who is this hero who journeys, who strives and for what? To be visible or invisible? As others have looked to the Faust legend for ways to explore the insatiability of man’s appetites, the questions I put to Goethe’s version specifically bring together three strands: striving as a fear of and countermeasure against mortality; a critique of globalisation and technology; and the female element underlying male aggression, destruction and desire.' From Goethe to Elizabeth Bishop, Vivien Eliot to Winckelmann, Homer and Marilyn Monroe—Faust’s poems meditate on the accrual of loss and of the impossibility of home.

Alasdair Paterson My My My Life
—Stornoway Puffin

Alasdair Paterson Elsewhere or Thereabouts

Alasdair Paterson On the Governing of Empires

Simon Perril Archilochus on the Moon

Simon Perri Beneath
ISBN 9781848614406 [Download a sample PDF from this book here.]

Simon Perril The Slip
The Slip is steeped in the animal fables within the surviving fragments of Archilochus, pre-Aesopical ainos that were likely stock elements of Iambic verse. Most famous are the sequence of fragments in which the fox recounts his revenge upon the eagle (widely regarded as code for Lycambes) who has betrayed their friendship by eating the vixen’s cubs. The fox curses the eagle and appeals to Zeus to intervene and bring justice to bear; the greedy eagle steals meat from a sacrificial altar only to have it burn down his nest and cause its young to fall out into the jaws of its vulpine rival.
So, here are the last steps of the ‘wolf walker’ Lycambes, undergoing his curse in the Dog Days of summer on the cusp of following the death of his daughters with his own, and reminiscing. Central to this reminiscence are the early expeditions to colonise Thasos he undertook with Telesicles, Archilochus’s father, and that doubtless confirmed, if not established, the bond between the families that he shatters in breaking his oath. In pottery, the slip is a liquified suspension of clay in water and was painted onto the areas of ancient pots intended to emerge black in the firing process. Needless to say, notions of the slip also encompass all manner of acts of evasion, disguise, and the tying of a noose.

Simon Perril Two Duets With Occasion
Published April 2024. Paperback, 118pp, 9 x 6ins, £12.95 / $20
ISBN 9781848619449
Simon Perril’s new collection gathers two discrete works:
‘45 Days in the Company of Robert Walser’ turns to the Swiss modernist as guide to the inner workings of educational workplaces, and the lived experience of them. Alchemy, according to Jung, was a quest for individuation. Inhabiting Walser’s pioneering absurdist work exploring a school for servants, Perril finds alarming parallels between the transformative ‘suffering’ of metals in their journey to a higher state, and contemporary workplace rhetorics of self-development and transformation.
‘Sun Deck Set Cogitation’ collapses the boundaries between reading and writing by playing with two texts by anthropologist Claude Lévi-Strauss. The first is a forensically detailed moment by moment account of a sunset written in 1935 while en route from Marseilles to Brazil; the second his account of a 1941 voyage escaping occupied France alongside fellow refugee André Breton. As Perril explains, ‘I inhabited Lévi-Strauss’s text like it was a ship’s deck I was walking across or around.’ The poet takes impetus from an early epiphany Lévi-Strauss had looking at the formal intricacy and structural play of dandelion seed heads that give rise to other forms. His poetic ‘treatment’ of the source texts scatter and recombine word-seeds in surprising combinations: blowing on a seed-head and spreading palimpsestic filaments.

John Phillips Shape of Faith

Tom Phillips (ed.) Peter Robinson: A Portrait of His Work
This volume contains essays by Ian Brinton, Peter Carpenter, Tony Crowley, Martin Dodsworth, Andrew Houwen, Miki Iwata, James Peake, Piers Pennington, Tom Phillips, Adam Piette, Elaine Randell, Anna Saroldi, Matthew Sperling, and Alison Stone, which covers all aspects of Peter Robinson's literary output.

Peter Philpott Textual Possessions

Peter Philpott Are we not drawn . . .

Peter Philpott Ianthe Poems

Frances Presley Collected Poems, Volume 1 — 1973–2004
The first volume of Frances Presley’s Collected Poems, 1973 to 2004, provides an important overview of her earlier life and poetic development. She experiments with modern and postmodern poetry and prose, projects and collaborations, sometimes associated with the new British poetry. Her feminism and political commitment are sharply defined, alongside a growing concern for ecology. It includes The Sex of Art, Hula Hoop, Linocut and Somerset Letters, as well as her collaborations, with artist Irma Irsara, on women’s clothing, Automatic Cross Stitch, and with poet Elizabeth James, Neither the One nor the Other. It supersedes and expands her selected poems, Paravane (2004) and Myne (2006).

Frances Presley Collected Poems, Volume 2 — 2004–2020
The second volume of Frances Presley’s Collected Poems, 2004 to 2020, brings together a distinctive body of work, representing a major achievement in modern and postmodern poetry and prose, projects and collaborations. Feminism and political commitment are still evident, but ecology and ecopoetics are foregrounded. It includes Stone Settings and Longstones which explores Neolithic stones on Exmoor, in collaboration with visual poet Tilla Brading; the playful An Alphabet for Alina, with artist Peterjon Skelt; as well Halse for Hazel, which received an Arts Council award; and the Ada Lovelace project, Ada Unseen. There is also a new sequence, Channels, on shorelines and parallel coasts.

Frances Presley Ada Unseen

Frances Presley The Sex of Art

Frances Presley halse for hazel

Frances Presley Lines of sight

Frances Presley Myne: New & Selected Poems & Prose 1976-2005

J.H. Prynne Or Scissel
Published 2018. Chapbook, 38pp, 8.5 x 5.5ins, £7.50 / $10.95
ISBN 9781848616219
This most recent experiment with words on the page continues the duet-passagebetween J.H. Prynne and the possibilities of lyrical transformation,subsequent eventually to
Poems (Bloodaxe, 2015).
J.H. Prynne Whitman and Truth
Published 2022. Chapbook, 24pp, 8.5 x 5.5ins, £7.50 / $10.95
ISBN 9781848617926
Whitman and Truth is a set of reading notes intended to introduce third-year university students to Whitman’s reading of war, with enlightening comparisons offered from the work Susan Sontag, Sir Philip Sidney, Mo Yan, Edmund Blunden, and others.

J.H. Prynne, John James, Andrew Crozier Three Books
This unusual compendium volume gives readers a chance to look in on this cardinal moment in radical English poetry, and see the connections at work. The sequences can be read in the various collected editions of the three poets, but the limited-edition originals are long out of print. Here the poems are presented together and afresh in the original context of their first grace and audacity.

Elaine Randell Selected Poems 1970–2005

Elaine Randell Faulty Mothering

Elaine Randell The Meaning of Things

Anna Reckin Three Reds

Anna Reckin Three Reds

Jeremy Reed Bona Drag

Jeremy Reed Bona Vada

Jeremy Reed The Glamour Poet Versus Francis Bacon, Rent and Eyelinered Pussycat Dolls

Jeremy Reed I Heard It Through the Grapevine: Asa Benveniste and Trigram Press

Jeremy Reed The Isthmus of Samuel Greenberg

Jeremy Reed Psychedelic Meadow

John Riley Selected Poetry & Prose

Peter Riley Alstonefield
Published 1995. A5 Paperback, 32pp. £4.50 / $9.95
ISBN 9780907562207. OUT OF PRINT
Published jointly with Oasis Books, London, this book comprises the first four sections of the long poem Alstonefield . Parts of section 5 subsequently appeared in Shearsman, PN Review and other journals. A new edition, including the complete Section 5 (which is longer than the first four sections put together) was published by Carcanet Press, Manchester, in 2003.
NOW INCLUDED IN THE AUTHOR'S COLLECTED POEMS (SEE BELOW).

Peter Riley Snow Has Settled [...] Bury Me Here
Published 1997. A5 Paperback, 55pp. £7.50
ISBN 9780907562245
Until the 2007 titles listed below, this was Riley's most recent full-length collection, apart from Passing Measures (Carcanet, Manchester, 2001), which is the author's Selected Poems, the experimental sequence Excavations (Reality Street Editions, 2005), and A Map of Faring , published only in the USA.
NOW (MOSTLY) INCLUDED IN THE AUTHOR'S COLLECTED POEMS (SEE BELOW).
![Peter Riley: Snow Has Settled [...] Bury Me Here](https://lirp.cdn-website.com/12e499a6/dms3rep/multi/opt/peter_riley_snow_has_settled_bury_me_here-1920w.jpg)
Peter Riley The Dance at Mociu

Peter Riley The Dance at Mociu (2nd, expanded edition)

Peter Riley The Llyn Writings
Published 2007. Paperback, 124pp, 8.5x5.5ins, £12.95 / $20
ISBN 9781905700158 [Download a sample PDF from this book here .]
Since the 1970s, Peter Riley and his wife have been making regular trips to the Llyn Peninsula in North Wales, and he has been writing a series of poems and meditations about the place—a spectacular area of natural beauty. To date, many of these poems, and poem-sequences, have appeared in small-press and bibliophile editions, and in artists' books. Three of the sequences were also collected in the author's Selected Poems, Passing Measures , published by Carcanet in 2000. Now, for the first time, all of Peter Riley's Llyn writings—both poems and prose-poems—are collected together under one set of covers.
NOW INCLUDED IN THE AUTHOR'S COLLECTED POEMS (SEE BELOW).

Peter Riley The Day's Final Balance — Uncollected Writings 1965-2006
Published 2007. Paperback, 212pp, 8.5x5.5ins, £14.95 / $23
ISBN 9781905700097 [Download a sample PDF from this book here .]
The subtitle says it all: here are numerous stray publications and lost poems, and prose-poems from throughout the author's career. Amongst many other works, the collection includes the previously unpublished sixth part of the long poem 'Alstonefield'.
NOW INCLUDED IN THE AUTHOR'S COLLECTED POEMS (SEE BELOW).

Peter Riley Greek Passages
Published 2009. Paperback, 128pp, 8x5ins, £12.95 / $20
ISBN 9781848610514 [Download a sample PDF from this book here .]
Greek Passages is a set of 105 prose-poems derived from four sojourns in Greece, mostly in the vicinity of Argos and thus at the hub of early Greek power. The structure is entirely diurnal, building each poem from the day’s events, so that cognizance of monumental historical figures and events infiltrate from outside into notes of fauna, ruins, the news, books about Greece or not, American music listened to, pleasant dinners, dreams of northern England etcetera. Two shorter stays on the west coast of the Peloponnese furnish beginning and ending sections of a gentler, more lyrical cast, and there are interruptive excursions, mostly to the remains of cities and wars. Everywhere what is presented to the eyes is the starting-point for a poetical process creating lenses in location and sense. NOW INCLUDED IN THE AUTHOR'S COLLECTED POEMS (SEE BELOW).

Peter Riley The Derbyshire Poems
Published 2010. Paperback, 204pp, 8.5x5.5ins, £14.95 / $23
ISBN 9781848610927 [Download a sample PDF from this book here .]
The Derbyshire Poems brings back into print two important earlier collections (from the 1970s and 1980s) by Peter Riley, Lines on the Liver and Tracks and Mineshafts , together with the explanatory essays that were originally issued alongside the latter volume, and an uncollected sequence from the same period which belongs with the other poems dealing with the Peak District. This is an important volume which provides the bcakground to Riley's later forays into writing in, of, and under the landscape.
NOW INCLUDED IN THE AUTHOR'S COLLECTED POEMS (SEE BELOW).

Peter Riley Due North
Published 2015. Paperback, 102pp, 9 x 6ins, £12.95 / $20
ISBN 9781848613942 [Download a sample PDF from this book here .]
Due North is a poem in twelve chapters concerned with human movement northwards or out in the quest for work, subsistence, settlement and gratification, and in danger of getting trapped in various enclosures, including thought-traps. The cast includes migrant workers, returning soldiers, children growing up, and population movements such as the early 19th-century descent on the northern manufacturing districts from demographic disaster zones, with my awareness of my own ancestry among the displaced Irish of Manchester and West Yorkshire. Woven into this are various artistic, poetical, cultural and instinctive ventures to traverse cold and emptiness, limit and futility, in the hope of attaining the metaphor of lasting warmth. Its pattern is that of a long sequence of beginnings, some of which reach their conclusions, usually elsewhere in the text, some of which don’t. The textual mode is literal and lyrical, to posit the value of these two forces in sustaining hope. (Peter Riley)
NOW INCLUDED IN THE AUTHOR'S COLLECTED POEMS (SEE BELOW).

Peter Riley Dawn Songs

Peter Riley Collected Poems Vol. 1
Published 2018. Paperback, 608pp, 9 x 6ins, £22.95 / $32
ISBN 9781848616103 [Download a sample PDF from this book here .]
A major event, the publication of Peter Riley’s collected poems in two volumes covers his work from the early 1960s to today. Volume 1 covers 1962–1997, encompassing books such as
Love-Strife Machine, The Linear Journal, The Llyn Writings, The Derbyshire Poems (including Lines on the Liver and
Tracks and Mineshafts),
Noon Province, Reader, Lecture, Author and
Snow has Settled…

Peter Riley Collected Poems Vol. 2
Published 2018. Paperback, 592pp, 9 x 6ins, £22.95 / $32
ISBN 9781848616110 [Download a sample PDF from this book here .]
A major event, the publication of Peter Riley’s collected poems in two volumes covers his work from the early 1960s to today. Volume 2 covers the period from the late 1990s to 2015, covering books such as Excavations, Alstonefield, Two Setts and Coda, The Glacial Stairway, Greek Passages and Due North . Like its companion volume, it also contains a large number of uncollected poems.

Peter Riley "Proof..."
Published February 2023. Paperback, 32pp, 8.5 x 5.5ins, £7.50 / $10.95
ISBN 9781848618855 [Download a sample PDF from this book here .]
‘How do you get mortal harmony
out of a stone box into the moving air?
With ash and ink, and sing a lyric air with passion.’
Proof asks and answers this question in 27 short poems as only poetry can. It is an account in the simplest, declarative language of the wren’s song, the life in transit of the refugee, mortality, the poet’s task, the fall of Constantinople, the Manchester Insurrection and the forgotten books. Proof brims with the temerity to suggest that all these lives, all these events, matter, that they are all connected and that poetry is the medium of this vision.
‘And it is through
this hole in the night that the wren sings.’

Peter Riley (ed.) Last Kind Words

Mary Robinson Selected Poems
Shearsman Classics No. 33. Edited by Robert Sheppard
Publication 2024. Paperback, 152pp, 9 x 6ins, £12.95 / $20
ISBN 9781848619180
Mary Robinson (née Darby) was born in 1758 in Bristol, and was a poet, novelist, dramatist, journalist and actress. Tutored by both Garrick and Sheridan, she had a short but dazzling career on the London stage, where she was spotted by the young Prince Regent and became his mistress. The resultant scandal was hot gossip and salacious news, brought to a new reading public by the institution of the daily paper, for which, ironically, Robinson would later write. Although she had always written, her main literary career dates from a serious accident in 1783, which left her permanently disabled. In the 1790s, she produced most of her best work, with an ever-accelerating productivity, in verse and fiction, until her death in 1800 (she wrote 70 poems in that last year). Once associated with fashionable Della Cruscan poetry, in the final years of her life she was in contact with S.T. Coleridge and William Godwin, representatives of vanguards in both politics and literature. After her death, her work suffered from an almost-complete obscurity, aided and abetted by Victorian revulsion at her scandalous past. This position has now changed, and there has been considerable interest in her life, her writing, and the connection between the two in recent years.

Peter Robinson The Personal Art — On Poetry and Poets

Peter Robinson Collected Poems 1976-2016

Peter Robinson Buried Music

Peter Robinson The Returning Sky

Peter Robinson The Look of Goodbye

Peter Robinson Spirits of the Stair — Selected Aphorisms

Peter Robinson Talk about Poetry — Conversations on the Art

Peter Robinson (ed.) An Unofficial Roy Fisher

Peter Robinson (ed.) Bernard Spencer —
Essays on His Poetry and Life

Gillian Rose Paradiso

Anthony Rudolf A Vanished Hand: My Autograph Album

Anthony Rudolf (ed.) Jerzyk

Anthony Rudolf Journey Around My Flat
Journey Around My Flat is the fourth in a series of five memoirs. Previous volumes are The Arithmetic of Memory (on growing up in Hampstead Garden Suburb), Silent Conversations (where the author draws on the books in his library to generate thoughts about reading and re-reading) and A Vanished Hand (a short illustrated account of his long-lost autograph album from the 1950s). The final volume is a work-in-progress: In the Picture: Office Hours at the Studio of Paula Rego, an account of the author’s ongoing close association with the painter since the two first met in 1996.

David Rushmer Remains to Be Seen

David Rushmer What Space Between Us
"Rushmer's spare and abstract linguistic structures may well be unique in contemporary British poetry, drawing, as they do, on a European poetic tradition that questions the nature of language and its relationship with perception. Words are valued for their own sake, held up for examination and made to chime like struck glass. To the crystalline abstractions that Rushmer inherits from French poetry is added Taoist-inspired spirituality and the influence of Chinese and Japanese calligraphy in an amalgam of great beauty. What Space Between Us is a landmark collection; a wide-ranging and rich series of poems, which asks time and attention of the reader, but will repay it abundantly." —Alan Baker
